Native Paint Revealed
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    • New Publication: Revealing Blue on the Northern Northwest Coast >
      • Coloring the Native Northwest Coast
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      • Celadonite and Vivianite: Green and Blue on the Northwest Coast
      • A Thin Red Line: Pigments and Paints on Coast Salish Totem Poles
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  • Projects and Research
    • The Vivianite Chronicles
    • A Totem Pole History: The Work of Lummi Carver Joe Hillaire
    • The William Shelton Story Pole
    • Snetlum Canoe
  • Traditional NWC Native Paint
    • Design Elements and Distinctions
    • Pigments vs Dyes
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    • Trade Colors on the Northwest Coast >
      • Vermilion
      • Red Lead
      • The Blues, Prussian Blue
      • Ultramarine
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      • Making traditional style brushes
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​Reprinted from the American Indian Culture and Research Journal, Volume 43, Number 1, by permission of the American Indian Studies Center, UCLA ©2019 Regents of the University of California.
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  • Home
    • About Native Paint Revealed >
      • What's New
      • Services >
        • Consultation and Research
        • Pigment Analysis
        • Restoration
  • Publications & Articles
    • New Publication: Revealing Blue on the Northern Northwest Coast >
      • Coloring the Native Northwest Coast
      • NW Coast Ochres
      • Celadonite and Vivianite: Green and Blue on the Northwest Coast
      • A Thin Red Line: Pigments and Paints on Coast Salish Totem Poles
      • Vegetable or Mineral
  • Projects and Research
    • The Vivianite Chronicles
    • A Totem Pole History: The Work of Lummi Carver Joe Hillaire
    • The William Shelton Story Pole
    • Snetlum Canoe
  • Traditional NWC Native Paint
    • Design Elements and Distinctions
    • Pigments vs Dyes
    • Binders
    • Trade Colors on the Northwest Coast >
      • Vermilion
      • Red Lead
      • The Blues, Prussian Blue
      • Ultramarine
    • Tools >
      • Traditional brushes, images
      • Making traditional style brushes
      • Paint Dishes & Mortars
  • Science and Art
  • Independent Study, Classes, Lectures, Workshops